Image: Ed Parham 2023

Often conversations about the future of cities include the impact of new technology, and assume that the cities of tomorrow will be completely different. However looking back through a history of future cities we can see this is misleading.

Technology provides an interesting starting point though, it helps identify trends and it means we have to keep asking questions about cities; why society needs them, what they do, how they work, and also whether x new technology works with or against these.

In the last decade or so there have been a number of new, often tech enabled, businesses deployed in cities. Companies such as Uber, Deliveroo, Amazon, etc are built on the application of digital tech to support new business models. This success has encouraged development of, and speculation around, further waves of innovation which go beyond digitally enabled business models to include physical technologies such as self driving cars and delivery drones.  

These innovations may be very clever in themselves, but because they are to be deployed in cities, which are complex environments, filled with people, they can have unintended consequences.

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Smart city has become a loaded term – earlier Smart City projects were often expensive, didn’t fully deliver and embedded top-down models of centralised control in city operation.

However, the term is still widely used as shorthand to talk about the use of technology in cities.

In the time since the first projects emerged there have been developments in technology, but also changes to the wider social, political, environmental and economic context.

2020 lead to a re-evaluation of many accepted norms, making now a good time to consider how we respond and simultaneously think about what we want our long-term future to be.

Technology will play a key role in supporting this future, leading to the question of what is a smart city?

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This is a set of images that explore the theme of place in digital art works, referencing the unseen devices and processes that affect our daily lives, and the connections these create to the wider world.

Pieces are produced using randomised and generative processes influenced by a physical location.

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Oddono’s is a sibling collection to Romeo & Giullietta consisting of generative artworks which have developed since 2015.

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